Bedford argues that authorial intent is still very important and that in photography it is sometimes very hard to identify. Artists such as Demand that put a long and arduous process into their work, with photography only as a concluding document that signifies the work, get more recognition than those who do many 'invisible' adjustments. No framework for understanding photography currently exists, so many art critics do not understand exactly how to critique a photo. They must look at it superficially, which does not necessarily show the edits and thoughts and process that the artist put into it, because photography is inherently lacking in what often is revealing about the artwork - the handiwork. Without the ability to understand the authorial intent behind the artwork, photography will continue to be viewed harshly and without true understanding by art critics. Upon development of this framework, it can receive the recognition it deserves and take its place among the other mediums of contemporary art.
Dear Mizter Bedford,
I wuld liek to offer you a nice toasted bagel wif creem cheez
Luv Batman

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